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  • 《名侦探柯南沉默的15分钟》
    《名侦探柯南沉默的15分钟》
    分类: 动作片 动作
    地区: 美国
    年份: 1998
    导演: 马丁·库内特
    主演: Min-soo-II
    状态: 已完结
    • 线路四

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    导演(🐖)(yǎ(📖)n )瑞(⏲)泽(🈷)(zé(🕵) )在(🦒)家(👭)(jiā(⏯) )中(🔣)被(🆎)人(🍫)残(👢)忍(📉)杀(👑)害(🐦),恰(🎍)好(🗿)在远方目击(jī )杀人(rén )现场的(de )段爷前去救援,却被随后赶(gǎn )到的(de )警察(chá )赵(zhào )正(🦗)浩(✌)当(🏏)作(💥)杀(💪)人(😭)犯,经过初步(bù )排查(chá ),警(jǐng )方(fāng )确定此案应属熟人作案,在被害(hài )人瑞(ruì )泽的社(👮)(shè(🐛) )会(📞)关系调查中,赵正(zhèng )浩发现(xiàn )瑞泽(zé )于死前(qián )数日曾与几位大学同学在某(mǒu )桌游(yó(🎿)u )吧(⛎)聚(🌁)(jù(🎽) )会(🏟)(huì(🈳) )过(🔥),此(🦉)次(🐖)聚(🕹)会(🎫)中(⛳)竟(🏅)有(🥙)自(✈)己(👶)的(🦖)(de )妻子(zǐ )——法医书萱在场。却正撞上偷偷摸摸(mō )前来(lái )找线索(suǒ )的段爷,两人(🚝)做(🚛)起(🌹)了(🥜)临(🥁)时探(tàn )案搭(dā )档。

    An estranged family take a trip to the desert in their used RV but become stranded and isolated in the scorching terrain. They soon learn their RV holds terrible, haunting secrets, and it starts killing them off one by one.@艾(ài )米电影网

    Three families from three different level of society are involved in an accident. Immorality and betrayal which are in some families will take the natural right of the children- All in the dark are the same, human do not make the same decision in the specific situation and in the end no one is guilty. The wrong culture of a society will force the human to do the mistakes so we should not judge the people and their behavior..

    这部电影的故事背(bèi )景让(ràng )人不(bú )禁(jìn )回忆起《逃(🍻)出(🤐)绝(🚒)命镇》。一位黑(hēi )人男(nán )性(杰(jié )森·米切尔饰)在周(zhōu )末的时(shí )候,因为觉(jiào )得周围(🔇)只(〽)有(🤗)白(🏸)人(📬)朋(🍢)友(😥)所(🧀)以(🚔)觉(🔇)(jià(🧙)o )得(💁)十(👮)(shí(🔚) )分(🔐)紧(👝)(jǐn )张(zhāng )。当然,这部作品与乔丹·皮尔(ěr )去年(nián )那部符合大众口味的《逃出绝命镇(🕞)(zhè(🥏)n )》不(🌬)(bú(👅) )同(🛏)。智(zhì )利导演塞巴斯蒂安·席尔瓦(wǎ )是一(yī )个古(gǔ )怪(guài )的人,他的电影如《女仆》、《水(🚄)晶(💁)(jī(🖼)ng )仙(xiān )女》、《肮脏的婴儿》都倾向于(yú )剑走(zǒu )偏锋,故事开始会有点怪异(yì ),而之(zhī )后则(zé(🍣) )会(🎒)变(🙇)得(📜)(dé(😄) )更(🙏)加(🗜)怪(🎁)异(🔤)。这(🐑)种(🍽)风(🛠)格(📐)对(💬)于(🖲)《周(🕸)末(mò )生日(rì )游(yóu )》意味着什么呢?还不知道(dào )。但(dàn )我们(men )非常期待这种不确定性(📬),况(🎱)且(🚋)演(🏨)员(❤)(yuán )阵容(róng )中还有(yǒu )克里斯托弗·阿伯特、迦勒(lè )兰德(dé )里·琼(qióng )斯,迈克尔·塞(🗂)拉(👤)和(⏱)安·道德(dé )。

    Brij Mohan (36), a hosiery shop owner in a busy Delhi market, desperately wants to change his life. He is fed up of his ball-crusher wife and mounting debts. In order to escape his wretched life, he changes his appearance and adopts a new identity as Amar Sethi, but ends up committing a botched up murder. He runs off with his young girlfriend, hopeful of making a new beginning. Instead, as luck would have it, he finds himself trapped in a web of his own Karma.

    少(shǎo )年莊(zhuāng )崇(chóng )斌無法忍受同學的欺凌,決定跳(tiào )樓結(jié )束受欺凌的生(🎰)活(💝),警(🈯)察(❣)趙(🙈)順(🍅)(shù(♿)n )昌(🤤)及(🐵)時(🔧)(shí(🏣) )出(🗨)現(🌞)(xià(➖)n ),給(💞)了(🛢)少年鼓勵和勇氣。

    Juanita, a loud 35 year old mulata, returns to her homeland to spend Christmas with their loved ones along with 350,000 Dominicans living abroad. She does not come alone, she's accompanied by Mariano, a rough Spanish man much older than her, he's anxious to get to know this island where you can sow 365 days a year. Mariano has decided for the first time in his life to take a risk, he sells his share of the land in Burgo de Osma to a brother and helps Juanita pay for the mortgage of her house in Santo Domingo just when she was about to lose it to the bank. Upon arrival, Juanita confesses she has two children, Mariano confesses in return to have taken advantage of her illegal status in order to get her to stay with him. Amidst these confessions the avalanche of family and friends falls on them, among them is Jairo, the father of her children, a typical 30 year old street wise Dominican who looks at him with jealousy. What Juanita did not confess to Mariano is that she has allowed Jairo to stay at her house to help with the children. Juanita and Mariano, who while being in Spain clung to each other like two castaways to a raft, will try not to drown in Santo Domingo.

    一名男子(zǐ )不滿(mǎn )一樁(zhuāng )冤(yuān )獄案件的發生,私自綁架審(shě(😽)n )判(🕖)該(🐜)(gā(🦅)i )案(🍈)的(🚶)(de )法(fǎ )官,將其囚禁於地下室,並錄影(yǐng )開直(zhí )播,公(gōng )開質疑其判決有誤,要求社(shè )會(📙)大(🚾)(dà )眾對其(qí )進行公審並投票,然而最終(zhōng )的結(jié )果,會(huì )因此撼動程序正義嗎?

    UNDERNEATH is a collaborative piece featuring four emerging directors, creating five distinctly different cinematic pieces all bound together by common themes of madness and ancient cruelty - think V/H/S meets CREEPSHOW with a supernatural flare.

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